Experimental Novels by Nikolay Nekrasov and Feodor Dostoevsky in the Light of Ethnopoetics

E. Fedorova
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Abstract

The article considers novels The Life and Adventures of Tikhon Trostnikov (1843) by N. A. Nekrasov and Humiliated and Insulted (1861) by F. M. Dostoevsky as experimental works in which the authors sought to combine European and national traditions. The reference to biographical material, the use of the structural method allowed to discover the similarity in genre content of the works and the difference of ideological attitudes of the authors. Both novels were created as autobiographical works, adventurous and satiric, included elements of “natural essay”, but each of the authors sought to use national genre content: Nekrasov's is a folk drama, and Dostoevsky refers to the traditions of Old Russian calendar literature, a literary story that shows the verification of the Holy Scriptures. Nekrasov failed to create a complete work, largely due to the narrative form, in which in some cases the parody begins to appear. But Dostoevsky managed to bring the novel to a new level, especially in his last works The Raw Youth and The Brothers Karamazov. Performing the task of “restoring the lost man”, Dostoevsky turns to the church calendar, Gospel allusions and parable plot.
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民族诗学视野下尼古拉·涅克拉索夫和费奥多尔·陀思妥耶夫斯基的实验小说
本文认为涅克拉索夫的小说《特洛斯特尼科夫的生活与冒险》(1843)和陀思妥耶夫斯基的小说《羞辱与侮辱》(1861)是作者试图将欧洲和民族传统结合起来的实验作品。通过对传记材料的参考和结构分析方法的运用,可以发现作品体裁内容的相似性和作者思想态度的差异性。这两部小说都是自传体作品,冒险和讽刺,包括“自然散文”的元素,但每个作者都试图使用民族类型的内容:涅克拉索夫的是一个民间戏剧,陀思妥耶夫斯基指的是旧俄罗斯历法文学的传统,一个文学故事,显示圣经的验证。涅克拉索夫未能创作出一部完整的作品,主要是由于叙事形式,在某些情况下,模仿开始出现。但陀思妥耶夫斯基设法将小说提升到一个新的高度,尤其是在他最后的作品《未成熟的青年》和《卡拉马佐夫兄弟》中。陀思妥耶夫斯基在完成“恢复失踪者”的任务时,求助于教会日历、福音典故和寓言情节。
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