{"title":"Queer Coolie-tudes: ‘A living archive, an oblique poetics’","authors":"Michelle Mohabeer, Amar Wahab","doi":"10.13169/jofstudindentleg.2.1.0125","DOIUrl":null,"url":null,"abstract":"Scholar Amar Wahab, co-editor of the Journal of Indentureship and its Legacies, interviews queer diasporic filmmaker and lecturer Dr. Michelle Mohabeer about her critical and creative documentary interventions – spanning over 30 years – which seek to queer indentureship and Indo-Caribbean diasporic identity and experience. The dialogue focuses especially on her creative essay documentary Queer Coolie-tudes (2019), which places the slurs – ‘queer’ and ‘coolie’ – into proximity and conversation as a way of critically reclaiming them. In so doing, Mohabeer expands the contours of what it means to queer indentureship’s archive by ‘visualizing an Indo-Caribbean diasporic aesthetic’.","PeriodicalId":179792,"journal":{"name":"Journal of Indentureship and Its Legacies","volume":"52-54 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Indentureship and Its Legacies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.13169/jofstudindentleg.2.1.0125","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1
Abstract
Scholar Amar Wahab, co-editor of the Journal of Indentureship and its Legacies, interviews queer diasporic filmmaker and lecturer Dr. Michelle Mohabeer about her critical and creative documentary interventions – spanning over 30 years – which seek to queer indentureship and Indo-Caribbean diasporic identity and experience. The dialogue focuses especially on her creative essay documentary Queer Coolie-tudes (2019), which places the slurs – ‘queer’ and ‘coolie’ – into proximity and conversation as a way of critically reclaiming them. In so doing, Mohabeer expands the contours of what it means to queer indentureship’s archive by ‘visualizing an Indo-Caribbean diasporic aesthetic’.