On Mikhail Muravyov’s Poem The Painter (Based on Materials of Russian State Library and Institute of Russian Literature)

Aleksandr D. Ivinskiy
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Abstract

The article is devoted to the textual reconstruction of the poem The Painter by M. N. Muravyov. It was published in “Academic News” in 1779. In the Manuscripts Department of the Russian State Library (Moscow), we have found the earliest manuscript of this work, which we date 1775. This variant differs greatly from the final one – both in terms of volume and style. In the Manuscript Department of the Institute of Russian Literature (St. Petersburg), we found the second version of The Painter, written, as we claim, in 1778. It was stored with Muravyov’s letters to Dmitry Khvostov. Such close attention of the author to this poem could be explained by the fact that he expressed in it some crucial ideas about the nature of creativity and about the principles of interaction with the authorities. From our point of view, The Painter is one of Muravyov’s key texts, in which he acclaimed his loyalty to the cultural policy of Catherine II.
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论米哈伊尔·穆拉维约夫诗歌《画家》(基于俄罗斯国家图书馆和俄罗斯文学研究所资料)
这篇文章致力于M. N.穆拉维约夫的诗《画家》的文本重建。1779年发表在《学报》上。在俄罗斯国立图书馆(莫斯科)的手稿部,我们发现了这部作品最早的手稿,我们将其确定为1775年。这个版本与最后一个版本在音量和风格上都有很大的不同。在俄罗斯文学研究所(圣彼得堡)的手稿部,我们发现了《画家》的第二版,我们声称它写于1778年。它和穆拉约夫写给德米特里·赫沃斯托夫的信放在一起。作者对这首诗的密切关注可以解释为他在诗中表达了一些关于创造力本质和与权威互动原则的重要观点。从我们的观点来看,《画家》是穆拉维约夫的关键文本之一,他在其中赞扬了他对叶卡捷琳娜二世的文化政策的忠诚。
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