Reframing Masculinity through Independent Cinema: Portrayals of Asian American Masculinity in Spa Night, The Tiger Hunter, and Gook

J. D. Park
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Abstract

Author(s): Park, Junghyuk Davis | Abstract: This paper examines how the films Spa Night (2016), The Tiger Hunter (2016), and Gook (2017) showcase a burgeoning diversity of ways Asian Americans can express masculinity. More specifically, the paper will delve into the depictions of strength through marginalized masculinity in Spa Night, resistance against remasculinization narratives in The Tiger Hunter, and toughness through soft masculinity in Gook. The aforementioned films are placed in analytical conversation with academic theories within the disciplines of Asian American Studies, Gender Studies, and Film Studies to highlight how each film’s respective characters demonstrate the described forms of progressive masculinity. In doing so, the films expose how cinema has historically shaped the public’s understanding of Asian American masculinity and uncover how a recent group of independent films from the Asian American film movement has showcased the variety of ways in which masculinity can be conceptualized and represented by Asian Americans to challenge traditional conceptions of gender.
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通过独立电影重新塑造男子气概:在《温泉之夜》、《老虎猎人》和《古克》中对亚裔美国人男子气概的描绘
摘要:本文考察了电影《Spa Night》(2016)、《the Tiger Hunter》(2016)和《Gook》(2017)如何展示亚裔美国人表达男子气概的方式日益多样化。更具体地说,本文将深入研究《温泉之夜》中边缘化的男性气质对力量的描绘,《老虎猎人》中对再男性化叙事的抵抗,以及《国》中软男性气质对坚韧的描绘。上述电影与亚裔美国人研究、性别研究和电影研究等学科的学术理论进行了分析对话,以突出每部电影的各自角色如何展示所描述的进步男性气质的形式。在此过程中,这些电影揭示了电影在历史上如何塑造了公众对亚裔美国人男子气概的理解,并揭示了最近一组来自亚裔美国电影运动的独立电影如何展示了亚裔美国人可以概念化和表现男子气概的各种方式,以挑战传统的性别观念。
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