The City Emerging from Mobile Applications

Fabricio Farias Tarouco
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Abstract

This article starts from the concept of Communicational Metropolis, proposed by Massimo Canevacci, connecting it to the studies of Lev Manovich, which explain a growing influence of software in our society. With these pillars, a reflection is presented on the conception of a softwarized communicational metropolis that emerges from the use of applications for mobile communication devices. These mobile media have become central for providing mobility to the user who circulates through physical spaces, promoting greater interaction with the territorial context and causing new dynamics of communication and conviviality. Recent data lead us to believe that in a short time practically all mobile phone devices will be smartphones, a fact that will reconfigure established urban practices once and for all. In this context, a set of applications for mobile devices that articulate urban issues emerges as a contemporary instrument that talks in different ways with this multiple metropolis, from the conception of its practices to the cultural changes that they cause. To answer the questions of this research and identify the transformations that took place, Walter Benjamin's character flâneur was used as a methodological resource that led to the definition and analysis of 10 contextual fragments extracted from the metropolis observed in the apps and their images. The intersection of these fragments highlighted particularities and dynamics that updated the understanding of Communicational Metropolis, interpreting it as a combination between its streets, avenues and the dynamics caused by the apps on them, that is, a composition between the mobile applications themselves and the communicational metropolis with which they interact.
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从移动应用中崛起的城市
本文从Massimo Canevacci提出的通信大都市概念开始,将其与Lev Manovich的研究联系起来,该研究解释了软件在我们社会中越来越大的影响。有了这些支柱,对移动通信设备应用程序的使用产生的软件化通信大都市的概念进行了反思。这些移动媒体已经成为为在物理空间中流通的用户提供移动性的核心,促进了与地域环境的更多互动,并产生了新的交流和欢乐的动力。最近的数据让我们相信,在很短的时间内,几乎所有的移动电话设备都将是智能手机,这一事实将彻底改变现有的城市实践。在这种背景下,一组移动设备的应用程序作为一种当代工具,以不同的方式与这个多元化的大都市对话,从其实践的概念到它们所引起的文化变化。为了回答本研究的问题并确定发生的转变,瓦尔特·本雅明(Walter Benjamin)的角色fl被用作方法论资源,从而定义和分析了从应用程序及其图像中观察到的大都市中提取的10个上下文片段。这些碎片的交集突出了特殊性和动态,更新了对通信大都市的理解,将其解释为街道,大道和其上的应用程序引起的动态之间的结合,即移动应用程序本身与与之交互的通信大都市之间的组合。
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