The Mirror of the Anthropocene

F. Neyrat
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Abstract

The second chapter delves deeper into the origins of what Neyrat describes as the “myth” of the Anthropocene, focusing on the work of one of the scientists who coined the term, Paul Crutzen, and how this so-called “new grand narrative” and unifying myth also has become, following the term coined by Jean-Francois Lyotard, the meta-narrative of our times. If for Lyotard, grand narratives were constructed as unifying myths, narratives that legitimize institutions and social practices, then Neyrat will take up the task of analyzing this new grand narrative or master signifier of the “Anthropocene” by way of how this myth of the Anthropocene confronts two other entities considered as unifying narratives: humanity or humankind as the lone superpowerful subject and the object of the Earth. Neyrat will delve much deeper into this myth and the imaginaries that seem to help furnish some of the logic behind humankind’s awareness of climate change, its potential role in causing it, and how, by way of the imaginary and physical engagement of perceiving the Earth from outside the Earth by way of the Space Age, humans began to view the Earth as not simply something humans inhabit or are part of, but as an artefact.
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人类世的镜子
第二章深入探讨了内拉特所描述的人类世“神话”的起源,重点关注了创造这个词的科学家之一保罗·克鲁岑的工作,以及这个所谓的“新大叙事”和统一的神话是如何成为我们这个时代的元叙事的,这一说法是由让-弗朗索瓦·利奥塔创造的。如果对利奥塔来说,宏大的叙事被构建为统一的神话,使制度和社会实践合法化的叙事,那么内拉特将承担分析这个新的宏大叙事或“人类世”的主能指的任务,通过这个人类世的神话如何面对另外两个被认为是统一叙事的实体:人类或人类作为唯一的超级强大的主体和地球的客体。内拉特将更深入地研究这个神话和想象,这些想象似乎有助于提供人类对气候变化的意识背后的一些逻辑,它在造成气候变化方面的潜在作用,以及如何通过想象和物理参与,通过太空时代从地球之外感知地球,人类开始将地球视为不仅仅是人类居住或属于人类的一部分,而是一件人工制品。
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