Praxis of Cultivating Civic Spontaneity

Cheuk-Hang Leung, S. Wong
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Abstract

This paper aims at conceptualizing the role of co-created artefacts, artistic interventions, aesthetic experience, and the civic-creative learning platform generated in the Umbrella Movement. These aspects of the protest made up what is generally understood as “art,” which we argue acted as a form of civic education during this occupy movement. We explore the triangular relationship between art, politics, and education in the Umbrella Movement through the lens of art theory, highlighting the collaborative and relational aspect of art and the concept of civic spontaneity. As such, we focus on the “endogenous effect” of art, as mass art-making generated opportunities for self-reflection and collaborative learning about civic life that enhanced participants’ understanding of deliberative citizenship.
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培养公民自发性的实践
本文旨在概念化雨伞运动中共同创造的人工制品、艺术干预、审美体验和公民创造性学习平台的作用。抗议的这些方面构成了通常被理解为“艺术”的东西,我们认为它在占领运动中充当了公民教育的一种形式。我们通过艺术理论的视角来探讨雨伞运动中艺术、政治和教育之间的三角关系,强调艺术的协作和关系方面以及公民自发性的概念。因此,我们关注艺术的“内生效应”,因为大众艺术创作为自我反思和合作学习公民生活提供了机会,增强了参与者对审慎公民的理解。
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Index Back Matter Appendix 2. Spontaneity and Civil Resistance: A Counter Frame of the Umbrella Movement 12. The Mirror Image: How does Macao Society read Hong Kong’s Umbrella Movement?
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