Il visibile e l’immaginabile: cultura visuale, media e immaginario

Mario Tirino
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Abstract

Visual Culture Studies represent an innovative approach to the study of visual culture, connecting Media Studies, sociology, aesthetics, history of art, iconography. The evolution of this field of study, thanks to authors such as W.J.T. Mitchell, M. Bal, J. Elkins and others, raises some relevant issues. Starting from the book  Epidemia visuale  (edited by Fabio La Rocca), this paper explores how visual culture can contribute to the evolution of media theories. Moreover, the vision is conceived as a social and cultural construction. In this perspective, different observation techniques produce new ways of knowing. The aim of the discipline is thus no longer the study of visual content, but the study of the connection between vision practices and forms of knowledge. A third set of questions addressed by the authors of this book deals with the evolution of visual culture within the conflicting and effervescent dynamics of contemporary digital social imaginaries.
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可见性和可想象性:视觉、媒体和想象文化
视觉文化研究代表了一种创新的方法来研究视觉文化,连接媒体研究,社会学,美学,艺术史,图像学。由于W.J.T. Mitchell、M. Bal、J. Elkins等人的贡献,这一研究领域的发展提出了一些相关的问题。本文从Fabio La Rocca编辑的《流行病视觉》一书开始,探讨视觉文化如何促进媒体理论的发展。此外,这一愿景被认为是一种社会和文化建构。从这个角度来看,不同的观察技术产生了新的认识方式。因此,这门学科的目的不再是研究视觉内容,而是研究视觉实践与知识形式之间的联系。本书作者提出的第三组问题涉及当代数字社会想象的冲突和沸腾动态中视觉文化的演变。
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