Virgilio y la "decadencia y caída del Imperio Romano": una recreación poética de Luis Antonio de Villena

Carlos Mariscal de Gante Centeno
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Abstract

The poem "De una carta de Macrobio Teodosio" by Luis Antonio de Villena can be better understood if it is studied as an heir of Ezra Pound’s "Papyrus" insofar it showed how the recreation of fragmentary texts allows to write modern poems with an unexpected ability of evocation. In addition, we discuss the likely influence of some decadence imaginaries (Edward Gibbon, Constantinos Cavafis) in Villena’s recreation. All these features will allow a better understanding of the three references to Virgil, two quotes and one mention, found in the poem. Regarding the last one, it’s possible an interpretation that changes the meaning of Aeneas’ final message to Palinurus in the Aeneid.
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维吉尔与《罗马帝国的衰落与衰落》:路易斯·安东尼奥·德·维莱纳的诗意再现
路易斯·安东尼奥·德·维莱纳的诗《De una carta De Macrobio Teodosio》如果作为庞德的《Papyrus》的继承人来研究,就能更好地理解它,因为它表明了碎片文本的再创造如何使现代诗歌具有意想不到的唤起能力。此外,我们还讨论了一些颓废幻想(爱德华·吉本,康斯坦丁诺斯·卡瓦菲斯)在维莱纳的娱乐中可能产生的影响。所有这些特征将使我们更好地理解这首诗中对维吉尔的三次引用,两次引用和一次提及。关于最后一个,有可能有一种解释,改变了埃涅阿斯在《埃涅阿斯纪》中,给帕利努鲁斯的最后信息的含义。
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