‘We've Already Done that One’: Adolescents' Repeated Encounters with the Same Artwork

Olga M. Hubard
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引用次数: 2

Abstract

This article explores the way young people's responses to an image evolve when they engage with it repeatedly. An analysis of the sequential encounters of six adolescents with a Renaissance painting reveals that, as they gained experience with the picture, the youngsters probed for increasingly deeper layers of meaning in the work. Specifically, on their second encounter with the painting, the students showed greater sensitivity to visual information, and they incorporated their own experiences and knowledge into the meaning-making process more actively than on their first encounter. This study also shows that, once the participants had established a relationship with the artwork on their own terms, they seemed eager to discover contextual information about it. However, far from accepting this information as ‘authority’, the young viewers considered it critically and used it to deepen, expand and revise their personal visions of the painting.
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“我们已经做了那件事”:青少年与同一件艺术品的反复接触
这篇文章探讨了当年轻人反复接触一张图片时,他们对它的反应是如何演变的。一项对六名青少年连续接触一幅文艺复兴时期画作的分析显示,随着他们对这幅画的体验越来越多,年轻人在作品中探索越来越深层的意义。具体来说,在第二次接触这幅画时,学生们对视觉信息表现出更大的敏感性,他们比第一次接触时更积极地将自己的经验和知识融入到意义建构过程中。这项研究还表明,一旦参与者以自己的方式与艺术品建立了关系,他们似乎渴望发现与之相关的信息。然而,年轻的观众并没有把这些信息当作“权威”来接受,而是批判性地看待它,并用它来深化、扩展和修改他们对这幅画的个人看法。
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