http://inion.ru/site/assets/files/6134/integratciia-i-assimiliatciia-muzykalnykh-komponentov-dzhazovoi-i-akademicheskoi-muzyki.pdf

V. Bukreev
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Abstract

The article examines the evolution of thinking of American and European composers of the early 20th century, the expansion of their musical horizons in connection with the birth and emergence of Early Jazz, a new rhythmic music in the South of the United States. Almost all famous composers of the beginning of the century, to one degree or another, turned to jazz, each in his own way refracting new rhythms and harmonies in their work. In this process, the initial, basic material was professional composer compositions, and jazz contributed to assimilation. The article examines experiments of interest from the perspective of fusion of musical genres, synthesis of elements of the musical language, which later anticipated the birth of the unique musical style «Fusion».
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http://inion.ru/site/assets/files/6134/integratciia-i-assimiliatciia-muzykalnykh-komponentov-dzhazovoi-i-akademicheskoi-muzyki.pdf
本文考察了20世纪初美国和欧洲作曲家的思想演变,他们的音乐视野的扩展与早期爵士乐的诞生和出现有关,早期爵士乐是一种新的节奏音乐在美国南部。本世纪初,几乎所有著名的作曲家都在某种程度上转向爵士乐,每个人都以自己的方式在他们的作品中折射出新的节奏和和声。在这个过程中,最初的基本材料是专业作曲家的作品,爵士乐有助于同化。本文从音乐流派的融合、音乐语言元素的合成的角度考察了有趣的实验,这些实验后来预示了独特的音乐风格“融合”的诞生。
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