Moving Films: Visualising Film Flow in Three European Cities in 1952

C. Pafort-Overduin, K. Lotze, Åsa Jernudd, T. V. Oort
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引用次数: 2

Abstract

This article is an international collaboration focusing on three European port cities – Antwerp (Belgium), Gothenburg (Sweden) and Rotterdam (Netherlands) – in 1952, during the golden age of cinema prior to the rise of television. The objective is to test an approach for making transnational comparisons of distribution and exhibition based on film programming data. We use a mixed-method approach that combines data visualisations based on a simple network analysis and time plot visualisations. Our aim is to show how these visualisations can be helpful in characterising and comparing cinema markets in an attempt to answer the question of how films move through a city from one cinema to the other and how this flow can be characterised and compared.
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移动的电影:1952年欧洲三个城市电影流动的可视化
这篇文章是一篇国际合作,聚焦于1952年的三个欧洲港口城市——安特卫普(比利时)、哥德堡(瑞典)和鹿特丹(荷兰)——在电视兴起之前的电影黄金时代。目的是测试一种基于电影节目编制数据对发行和放映进行跨国比较的方法。我们使用混合方法,将基于简单网络分析的数据可视化和时间图可视化相结合。我们的目的是展示这些可视化如何有助于描述和比较电影市场,试图回答电影如何在城市中从一家电影院到另一家电影院的流动以及如何描述和比较这种流动的问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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