Pompeii, Origins through Destruction

Ivo van der Graaff
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Abstract

On 24 August 79 CE the eruption of Mount Vesuvius destroyed the southern Bay of Naples, burying the towns of Pompeii, Herculaneum, and Stabia together with the farms, sanctuaries, and luxury villas of the countryside. Their systematic excavation began in 1748. A community of scholars and lay people have since investigated the cities and their architecture for over 270 years. Their ranks are varied, starting with art and architectural historians, classicists, classical archaeologists, humanists, and amateurs, and continuing with scientists specialized in disciplines as varied as chemistry, biology, and forensics to name a few. The study of Pompeii and the ancient cities on the Bay of Naples is almost its own discipline that has helped to germinate art history and archaeology and spark movements such as Neoclassicism. The result is a burgeoning bibliography that exceeds 20,000 entries, with dozens of books and articles appearing each year. Given the rich architectural remains of the city, many, if not most, of these publications relate to architecture. Yet much remains unknown and considerable research on the architecture of Pompeii awaits current and future scholars. This article constitutes a basic starting point to study the architecture of Pompeii. It focuses on primary sources and monographs, and extends beyond single architectural studies because the study of Pompeian architecture requires attention to external factors governing social behavior. Domestic rituals, religious practices, technological advances, social routines, social hierarchy as well as military, entertainment, economic, environmental, and political factors all came together to shape the city. Modern research in Pompeii began with art historical and epigraphic approaches producing catalogues and publications describing wall painting, inscriptions, statuary, and the objects of the decorative arts. Expansive topographical surveys describing the city’s architecture started to appear in the 19th century and gave rise to a fascination with Pompeii throughout Europe. The expansion of the excavations in this period prompted then superintendent Giuseppe Fiorelli to organize the city into regions, insulae (city blocks), and house numbers, giving buildings the addresses they have today (e.g. VI.12.2-7 for the House of the Faun). Excavations seeking to understand the long-term history of Pompeii began in the 20th century, first, under efforts by Superintendent Amedeo Maiuri and, later, by various international teams and individual scholars, leading to the comprehensive approaches that study the city today. These efforts have produced a consensus that divides the 700+ years of Pompeian history into three mains phases: Pre-Samnite (under Etruscan, Greek, and Punic influence), Samnite, and finally Roman Pompeii, which subdivides further into the Colonial, Imperial, and Post-earthquake (after 62 CE) periods. Each phase is rich and stimulating in its own right, but the Roman period is the one that produced much of the architecture visible today; consequently, it has received the most attention due to the state of preservation.
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庞贝,从毁灭中起源
公元79年8月24日,维苏威火山爆发摧毁了那不勒斯南部海湾,掩埋了庞贝、赫库兰尼姆和斯塔比亚等城镇,以及农村的农场、避难所和豪华别墅。他们的系统挖掘始于1748年。此后,一群学者和普通人对这些城市及其建筑进行了270多年的研究。他们的队伍各不相同,从艺术和建筑历史学家、古典主义者、古典考古学家、人文主义者和业余爱好者开始,再到化学、生物学和法医学等不同学科的科学家。对庞贝和那不勒斯湾古城的研究几乎是一门独立的学科,它帮助孕育了艺术史和考古学,并引发了新古典主义等运动。其结果是一个迅速发展的书目,超过20000个条目,每年都有几十本书和文章出现。考虑到这座城市丰富的建筑遗迹,这些出版物中的许多(如果不是大多数的话)都与建筑有关。然而,关于庞贝建筑的许多未知和大量的研究等待着现在和未来的学者。本文构成了研究庞贝建筑的一个基本起点。它侧重于原始资料和专著,并超越了单一的建筑研究,因为庞培建筑的研究需要关注控制社会行为的外部因素。家庭仪式、宗教习俗、技术进步、社会惯例、社会等级以及军事、娱乐、经济、环境和政治因素共同塑造了这座城市。庞贝古城的现代研究开始于艺术历史和碑文方法,制作目录和出版物,描述壁画、铭文、雕像和装饰艺术的对象。描述这座城市建筑的广泛地形调查开始于19世纪,并在整个欧洲引起了对庞贝的迷恋。这一时期发掘的扩大促使当时的主管朱塞佩·菲奥雷利(Giuseppe Fiorelli)将城市划分为区域、隔离区(城市街区)和门牌号,给建筑物赋予今天的地址(例如,牧神之家的地址为VI.12.2-7)。为了了解庞贝城的长期历史,挖掘工作始于20世纪,首先是在管理员Amedeo Maiuri的努力下,后来是各种国际团队和个人学者的努力下,形成了今天研究这座城市的综合方法。这些努力产生了一个共识,将庞培700多年的历史划分为三个主要阶段:前萨姆奈特人(受伊特鲁里亚人、希腊人和布匿人的影响)、萨姆奈特人和最后的罗马庞贝,后者进一步细分为殖民时期、帝国时期和震后(公元62年之后)时期。每个阶段都有自己丰富和刺激的地方,但罗马时期产生了今天可见的许多建筑;因此,由于保存状况,它受到了最多的关注。
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