Animation Video Resequencing with a Convolutional AutoEncoder

Shangzhan Zhang, Charles C. Morace, T. Le, Chih-Kuo Yeh, Sheng-Yi Yao, Shih-Syun Lin, Tong-Yee Lee
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引用次数: 2

Abstract

Permission to make digital or hard copies of part or all of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page. Copyrights for third-party components of this work must be honored. For all other uses, contact the owner/author(s). SA '19 Posters, November 17-20, 2019, Brisbane, QLD, Australia © 2019 Copyright held by the owner/author(s). ACM ISBN 978-1-4503-6943-5/19/11. https://doi.org/10.1145/3355056.3364550 animators commonly utilize a set of principles, including natural movement, as a model and will incorporate other principles for dramatic effects and emotional impact. There have been many techniques developed to ease the computer animation pipeline, production is still an arduous process that involves the creation of many image sequences depicting the motion of complex characters and their environments. If a single image is out of place, the whole animation may be ruined by an unnatural movement, which is not only visually displeasing but also distracts from the narrative.
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动画视频重排序与卷积自动编码器
允许制作部分或全部作品的数字或硬拷贝供个人或课堂使用,但不收取任何费用,前提是制作或分发副本不是为了盈利或商业利益,并且副本在第一页上带有本通知和完整的引用。本作品的第三方组件的版权必须得到尊重。对于所有其他用途,请联系所有者/作者。SA '19海报,2019年11月17日至20日,布里斯班,昆士兰州,澳大利亚©2019版权归所有者/作者所有。Acm isbn 978-1-4503-6943-5/19/11。https://doi.org/10.1145/3355056.3364550动画师通常利用一套原则,包括自然运动,作为模型,并将其他原则纳入戏剧效果和情感影响。已经开发了许多技术来简化计算机动画管道,制作仍然是一个艰巨的过程,包括创建许多图像序列来描绘复杂角色及其环境的运动。如果一个图像出现错位,整个动画可能会被一个不自然的动作所破坏,这不仅在视觉上令人不快,而且会分散叙事的注意力。
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