Future Trading Zones for the Study of Culture: An Interview with Peter L. Galison

Peter Galison, Jens Kugele
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Abstract

Jens Kugele: Thank you very much, Peter, for agreeing to this interview. I truly appreciate this opportunity to continue our conversations on possible futures of the study of culture and to include your perspective as a scholar and filmmaker in this dialogical form. In addition to your academic work as a physicist and historian of science, you have also been involved in the production of several documentary films. In your and Robb Moss’s documentary Containment (2015), for instance, you raise questions about possible futures when you shed light on governments’ practices in their efforts to (safely) contain overwhelming amounts of radioactive sludge for the next ten thousand years. Your film addresses the question of how we can communicate with future generations and, indeed, future cultures about these containment attempts. In your view, how can we in the academic study of culture make sure that we foster communication with future generations and with future cultures? What kind of questions, topics, and concerns are of central importance in this context? What kind of (new) genres, formats, and media might be helpful or even necessary in your view?
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文化研究的未来贸易区:Peter L. Galison访谈录
Jens Kugele: Peter,非常感谢你同意接受这次采访。我真的很感谢有这个机会继续我们关于文化研究未来可能的对话,并将您作为学者和电影制作人的观点纳入这种对话形式。除了作为物理学家和科学历史学家的学术工作外,您还参与了几部纪录片的制作。例如,在你和罗伯·莫斯(Robb Moss)的纪录片《遏制》(Containment, 2015)中,当你揭示了政府在未来一万年里(安全地)遏制大量放射性污泥的做法时,你提出了关于未来可能的问题。你的电影探讨了我们如何与后代,甚至未来的文化就这些遏制尝试进行沟通的问题。在您看来,在文化的学术研究中,我们如何确保我们与后代和未来文化的交流?在这种情况下,什么样的问题、话题和关注是最重要的?在你看来,什么样的(新)类型、格式和媒体可能会有所帮助,甚至是必要的?
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