Exploiting instability: Reconfiguring digital systems

L. Matthews, G. Perin
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Abstract

The transmission technologies of digital environments propagated by the Internet, specifically the ubiquitous webcam system, present new material to mediate people’s engagement with civic space and simultaneously offer new ways to materialize its three-dimensional form. Recent research shows that the technical functionality of the webcam can be extended through deliberate intervention within the performance of contemporary camera optics. This suggests the development of new techniques for design intervention that operate in direct relationship to the evolution of the very technologies they exploit. With specific focus on the optical and chromatic translational capacities of the camera, the paper will discuss how the manipulation of its colour receptor mechanism not only provides the designer with an opportunity to exceed the constraints of commonly available colour palettes, but also it will show how this digital disruption actively capitalises upon the discrepancies that govern design strategies applied to formal production within coexistent virtual and real-time space. Through the deployment of colour filter array patterns, this new technique is able to extend the working gamut of RGB colour space in a way that that allows chromatic selection for exterior and interior urban space to be linked to programmatic distribution across duplicate environments.
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利用不稳定性:重新配置数字系统
互联网传播的数字环境传播技术,特别是无处不在的网络摄像头系统,为人们参与公民空间提供了新的材料,同时也为公民空间的三维形态提供了新的物化方式。最近的研究表明,网络摄像头的技术功能可以通过故意干预当代相机光学性能来扩展。这表明设计干预的新技术的发展与他们所利用的技术的发展直接相关。本文将特别关注相机的光学和色彩转换能力,讨论如何操纵其颜色受体机制,不仅为设计师提供了超越常用调色板限制的机会,而且还将展示这种数字破坏如何积极利用应用于共存的虚拟和实时空间中正式生产的设计策略的差异。通过色彩过滤阵列模式的部署,这种新技术能够以一种方式扩展RGB色彩空间的工作范围,从而允许外部和内部城市空间的色彩选择与重复环境中的程序化分布相关联。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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