TRADITIONAL ARABIC POEM AND THE PIONEERS OF FREE VERSE POETRY IN EGYPT

A. Balboula
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Abstract

This paper is an investigation into the controversy surrounding the legitimacy of the use of the free verse in Egypt. To that effect some selected poems were analyzed to highlight our claim. The free verse was introduced in the late forties in the Arabic world by two prominent Arabian pioneers; Nazik al-Mala’ika, an Iraqi female poet (1923-2007), and Salah Abd al-Sabour, an Egyptian poet (1931-1981) assisted by others. This new poetry was considered a revolution against the traditional form of Arabic poetry known as alkasidatu al-Amoudyatu, still controversial today, even though it was not concerned with form only as the new form of free verse began to be seen rightly as part of the content itself in the sixties (Boullata,1976).In addition to being influenced by T.S. Eliot (1965-1988),the free verse poets were affected by social change as they realized they had to respond to the changes of their time. From the beginning of this movement till now, the traditional poetry has not disappeared as was expected but is still being observed by the remaining pioneers of the free verse.
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传统阿拉伯诗歌和埃及自由诗的先驱
本文对埃及自由诗使用合法性的争议进行了调查。为了达到这个效果,我们分析了一些精选的诗歌来强调我们的观点。自由诗是在四十年代后期由两位杰出的阿拉伯先驱引入阿拉伯世界的;Nazik al-Mala 'ika,伊拉克女诗人(1923-2007),Salah Abd al-Sabour,埃及诗人(1931-1981)。这种新诗被认为是对传统阿拉伯诗歌形式的一种革命,这种形式被称为alkasidatu al-Amoudyatu,直到今天仍有争议,尽管它不仅仅关注形式,因为新的自由诗形式在60年代开始被正确地视为内容本身的一部分(Boullata,1976)。除了受到T.S.艾略特(1965-1988)的影响外,自由诗诗人还受到社会变革的影响,因为他们意识到他们必须对他们所处时代的变化做出反应。从这场运动开始到现在,传统诗歌并没有像人们想象的那样消失,而是仍然被剩余的自由诗先驱们所观察。
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