Bismarck als Projektionsfläche oder Verfassung als Kunst des Möglichen?

Abstract

Otto von Bismarck was not a liberal politician at all but had a lot of liberal admirers. German liberal politicians like Gustav Stresemann or Otto Graf Lambsdorff and even Social Democrats like Willy Brandt presented themselves as at least partial admirers of Bismarck and his politics. It is surprising at first sight, because Bismarck had strong conservative roots and never pretended to be liberal. On the other hand, some effects of his politics were deeply accepted and even desired by German liberals: the creation of a strong German national state, political fight against small blimpish duchies or catholic church. Bismarck was rather a pragmatic (and sometimes opportunist) than a theorist, defining politics as „Kunst des Möglichen“ (‚art of art of the possible, the attainable – the art of the next best‘). Due to his lack of ideology, for many a benchmark of Liberalism, conservative Bismarck could make successful liberal politics, but also its opposite, e. g., in social politics. By his pragmatic approach and his flexibility, Bismarck became a projection screen for many liberal politicians.