Visual cues effect on the impact of sonification on movement

Joseph W. Newbold, Nicolas E. Gold, N. Bianchi-Berthouze
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引用次数: 2

Abstract

When designing movement sonification, its effect on peoples' movement must be considered. Recent work has shown that using musical expectancy within movement sonification can impact the way people move. However, this body of work has also found that different types of movements show different effects of these musically-informed sonifications on movement behaviour. This paper addresses this disparity, by exploring how this kind of sonification may be impacted by perceptual cues. We focus on two kinds of target movements: an "open movement", i.e. one with limited perceptual cues (no visual cues from the environment and limited proprioceptive cues) at a target point, and a "closed movement" i.e. one with strong perceptual (visual and proprioceptive) cues at the target point. We present a study that investigates how visual cues may interact with musical expectancy based sonification and discuss what these results mean for musical expectancy based designs and musically-informed sonification overall We show that the effect of expectancy of sonification at a target point is greater when visual cues are removed.
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视觉线索对声音对运动影响的影响
在设计运动声效时,必须考虑运动声效对人体运动的影响。最近的研究表明,在运动声效中使用音乐预期可以影响人们的运动方式。然而,这一研究也发现,不同类型的动作显示出这些音乐信息对动作行为的不同影响。本文通过探索这种声音如何受到感知线索的影响来解决这种差异。我们重点研究了两种类型的目标运动:一种是“开放运动”,即在目标点上具有有限的感知线索(没有来自环境的视觉线索和有限的本体感觉线索);另一种是“封闭运动”,即在目标点上具有强烈的感知线索(视觉和本体感觉)。我们提出了一项研究,调查了视觉线索如何与基于音乐期望的超声相互作用,并讨论了这些结果对基于音乐期望的设计和总体音乐信息超声的意义。我们表明,当视觉线索被移除时,目标点的超声预期效果更大。
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