From Field to Frame: The Fine Art of Crop Art

Diana Johnson
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Abstract

The annual seed art competition at the Minnesota State Fair evokes the heritage of an agriculture-based economy. But portraits of middle-American icons rendered in the seeds of Minnesota crops, exemplified by the work of old-timer Lilian Colton, rub shoulders with a more contemporary view of Minnesota9s place in society presented by urban crop artists like Cathy Camper.
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从田野到框架:作物艺术的艺术
明尼苏达州博览会的年度种子艺术比赛唤起了以农业为基础的经济的传统。但是,以老前辈莉莲·科尔顿(Lilian Colton)的作品为代表的明尼苏达州农作物种子描绘的美国中产阶级偶像的肖像,与凯茜·坎珀(Cathy Camper)等城市农作物艺术家对明尼苏达州社会地位的更现代的看法相吻合。
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