The Theatre of Genet: A Sociological Study

L. Goldmann
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引用次数: 4

Abstract

Until a few years ago, aestheticians, critics, and literary historians accorded sociology only marginal status. However, the availability of Georg Lukacs’ early work, the psychological and epistemological researches of Jean Piaget, and the acceptance of the dialectic as genetic structuralism has changed all that. Traditional sociology —which still dominates university teaching — tried to relate the content of a literary work to the content of the collective unconscious: how men think and act in daily life. Such criticism becomes more effective the more mundane is the writer being studied, content merely to relate his experiences without imaginatively transposing them. Structural sociology begins from premises that exclude those of traditional sociology.
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热内戏剧:社会学研究
直到几年前,美学家、评论家和文学史学家还只把社会学放在边缘地位。然而,卢卡奇早期著作的出现、皮亚杰的心理学和认识论研究以及辩证法作为遗传结构主义的接受改变了这一切。传统的社会学——仍然在大学教学中占主导地位——试图将文学作品的内容与集体无意识的内容联系起来:即人们在日常生活中如何思考和行动。研究的作者越平凡,这种批评就越有效,仅仅满足于把他的经历联系起来,而不去想象地转换它们。结构社会学是从排除传统社会学的前提出发的。
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