Flânerie in the Time of Covid-19

Marylaura Papalas
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Abstract

Flânerie, or the practice of urban strolling described in nineteenth-century French print and visual culture, has evolved throughout modernity, expanding its reach into more global literary traditions and becoming an important topic of research in numerous fields of academic study. Various phenomena have shaped the evolution of how we walk in the city and how artists, essayists, and journalists record it, none more so than the forced lockdowns associated with the global Covid-19 pandemic. Journalists in France invented expressions like flânerie inversée, impossible flânerie, and librairie flânerie to describe new city practices. They looked to figures like the fashion flâneuse on the catwalk as a means of sublimating the stillness and monotony of the coronavirus confinement. This article traces the emergence between March 2020 and April 2021of these variations in shopping and fashion contexts, which underscore the enduring legacy of the practice and its everlasting presence in French culture.
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Covid-19时期的flnerie
在19世纪的法国印刷和视觉文化中描述的城市漫步,已经在整个现代性中发展,扩展到更多的全球文学传统中,并成为许多学术研究领域的重要研究课题。各种现象塑造了我们在城市中行走的方式,以及艺术家、散文家和记者如何记录它的演变,其中最重要的是与全球Covid-19大流行相关的强制封锁。法国的记者们发明了fl nerie invers、不可能的fl nerie和librairie fl nerie等表达来描述新的城市实践。他们把t台上的时装模特flalneuse等人物视为一种升华冠状病毒隔离的寂静和单调的手段。本文追溯了这些变化在2020年3月至2021年4月期间在购物和时尚环境中的出现,强调了这种做法的持久遗产及其在法国文化中的永恒存在。
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