The Story Bursa by I. G. Shadrin: Sources and Prototypes

Nikolai V. Solodov
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Abstract

The article is devoted to the analysis of the story Bursa by Ilariy Shadrin. The author reveals historical circumstances that actually took place and true descriptions of the persons who served as prototypes of the story heroes. Based on the text, involving a wide range of additional sources, including archival, the picture of the daily life of the Vologda Seminary is reconstructed, biographical portraits of teachers and students are outlined. The author notes that the artistic images created by Ilariy Shadrin are not historically accurate portraits and objective characteristics of real persons. It is stated that the story “Bursa” contains few precise indications of the dates. Its undoubted value lies in the scattering of observations, particulars, everyday details captured by the author. It is concrete living sketches, not journalistic polemical arguments, that constitute the main value of Ilariy Shadrin’s work. An analytical study of the artistic world of the story and other sources allows the author to conclude that the writer was excessively immersed in his own experiences, in thinking over the circumstances and the role of his own person in them.
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I. G. Shadrin的《故事囊:来源和原型》
这篇文章致力于分析Ilariy Shadrin的故事Bursa。作者揭示了真实发生的历史环境和作为故事英雄原型的人物的真实描述。根据文本,包括档案在内的广泛的其他来源,重建了沃洛格达神学院日常生活的画面,概述了教师和学生的传记肖像。作者指出,Ilariy Shadrin所创造的艺术形象并不是历史上准确的真实人物的肖像和客观特征。有人说,“布尔萨”这个故事几乎没有精确的日期说明。其毋庸置疑的价值在于作者捕捉到的零星观察、细节和日常细节。构成伊拉里·沙德林作品主要价值的是具体的、生动的素描,而不是新闻论战性的争论。通过对故事的艺术世界和其他来源的分析研究,作者可以得出结论,作者过度沉浸在自己的经历中,思考环境和他自己在其中的角色。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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