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Abstract

The Red Book early on depicts the killing of the hero, thus symbolising the limitations of the ego. However, as he goes on Jung finds himself re-encountering the heroic through sacrifice, magic and a ‘son’ who apparently represents his work. Jung’s process of killing but also reviving the hero also reflects the Middle Way in that he can’t succeed by merely repressing, nor by idealising, his own ego.
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英雄之死
《红书》早期描绘了英雄的杀戮,因此象征着自我的局限性。然而,当他继续写下去时,荣格发现自己通过牺牲、魔法和一个显然代表他的作品的“儿子”重新遇到了英雄。荣格杀死英雄的过程也反映了中间道路,因为他不能仅仅通过压抑或理想化自己的自我来获得成功。
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The Tree of Life and the Mandala The Soul and the Anima God as Integrative Archetype Conclusion The Middle Way in the Red Book and in the Buddha’s Quest
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