Understanding Culture through Knowledge Cybernetics

Ousanee Sawagvudcharee, M. Yolles, Chanchai Bunchapattanasakda, Buncha Limpabandhu
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引用次数: 1

Abstract

These days, countries around the world continue with their process of globalization in the digital business and marketing. However, they find themselves straddling different national cultures, which lead to problems of cross-cultural communication management resulting in, for instance, miscommunication and misunderstanding. Consequently, an understanding of the characterisation or mapping of culture is significant, and while there are not many theories of cultural mapping, most stem from the base work of Hofstede. Basically, most people begin with a categorisation of culture through the creation of an ontology that differentiates relatable levels of reality, as a theory of levels allows culture to be broken down into parts that can be analysed more easily. It also helps them to facilitate the creation of a set of generic or universal dimensions of culture which can be used to map different cultures. However, a problem with this theoretical approach is that it does not offer a very dynamic representation of culture, and it has manifestations that impoverish the way that phenomenal manifestations of culture can be explained. On the other hand, there is an alternative approach was adopted by Schwartz. This approach does not discuss ontology but it creates a value inventory in which respondents assess ‘comprehensive’ cultural values. Consequently, there is some relationship between outcome of Hofstede’s and Schwartz’s results. Yolles has developed a theory of Knowledge Cybernetics that delivers a new ontology and a dynamic modelling approach. Schwartz’s results have been merged into this, resulting in a new theory dynamic theory of culture quite distinct from Hofstede’s level theory.
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通过知识控制论理解文化
如今,世界各国在数字商业和营销方面继续其全球化进程。然而,他们发现自己跨越了不同的民族文化,这就导致了跨文化交际管理的问题,如沟通不畅和误解。因此,理解文化的特征或映射是很重要的,虽然没有很多文化映射的理论,但大多数都源于霍夫斯泰德的基础工作。基本上,大多数人首先通过创建区分现实相关层次的本体论来对文化进行分类,因为层次理论允许文化被分解成更容易分析的部分。它还有助于他们促进创造一套通用的或普遍的文化维度,这些维度可用于映射不同的文化。然而,这种理论方法的一个问题是,它没有提供一种非常动态的文化表现,而且它的表现形式使文化的现象表现形式无法解释。另一方面,施瓦茨采用了另一种方法。这种方法不讨论本体论,但它创建了一个价值清单,受访者在其中评估“全面”的文化价值。因此,Hofstede的结果和Schwartz的结果之间存在一定的关系。Yolles开发了一种知识控制论理论,提供了一种新的本体和动态建模方法。施瓦茨的研究结果与此相融合,形成了一种与霍夫斯泰德的水平理论截然不同的文化动态理论。
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