The Act of Looking: Wofgang Iser's Literary Theory and Meaning Making in the Visual Arts

Olga M. Hubard
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引用次数: 22

Abstract

In his account about reading novels, Wolfgang Iser argued that the work of art is not the text itself but the experience that emerges as a reader interacts with the text. Yet, he clarified that the aesthetic object is not based only on the subjective input of the reader but also determined by specific signs that a text presents. This article draws from Iser's theories to examine the process through which five teenagers discover meaning in an abstract sculpture by artist Isamu Noguchi. The author shows how the young viewers arrived at a series of readings that were elicited by the qualities of the work and that built upon each other in a sort of snowballing process. The article also illustrates how the sort of meaning that an artwork can yield stretches throughout the whole experience and can therefore not be translated into a discursive statement.
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注视的行为:伊瑟尔的文学理论与视觉艺术的意义制造
沃尔夫冈·伊瑟尔(Wolfgang Iser)在他关于阅读小说的描述中认为,艺术作品不是文本本身,而是读者与文本互动时产生的体验。然而,他澄清说,审美对象不仅是基于读者的主观输入,而且是由文本呈现的特定符号决定的。本文从伊瑟尔的理论出发,考察了五个青少年在艺术家野口勇(Isamu Noguchi)的抽象雕塑中发现意义的过程。作者展示了年轻的观众是如何通过作品的品质来获得一系列的阅读,并以一种滚雪球的方式相互建立。这篇文章还说明了一件艺术品所能产生的意义是如何延伸到整个体验的,因此不能被翻译成一种话语性的陈述。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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