{"title":"Muzyczna ilustracja tekstu w XVIII-wiecznych cyklach nieszpornych kompozytorów jasnogórskich","authors":"D. Ślusarczyk","doi":"10.15633/PMS.2582","DOIUrl":null,"url":null,"abstract":"Musical illustration of the text in the 18th century Vesper cycles by the composers of Jasna Góra Monastery The Vespers attracted the interest of many church composers and were – apart from the Mass – the second most frequently chosen service text. The musical setting of this part of officium divinum became richer in the course of time, especially in the monastic rite. The Vespers of Jasna Góra were of special nature since the prayer of the monks was accompanied by the Pauline monastery music ensemble. Its repertoire included works by composers connected with Częstochowa, who were instrumentalists or kapellmeisters in the monastery. The article presents seven composers connected with Jasna Góra in the 1700’s. The material was analyzed in terms of the relationship between the liturgical text and the musical setting, which was the very core of the 18th century art of composition. The musical works studied show features characteristic for the music of early Classical period, at the Muzyczna ilustracja tekstu w XVIII-wiecznych cyklach nieszpornych... 189 same time retaining some elements typical of the Baroque rhetoric. The Vespers of Jasna Góra are valuable evidence of Polish cultural heritage – one of the few preserved works of this kind.","PeriodicalId":150691,"journal":{"name":"Pro Musica Sacra","volume":"34 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-04-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Pro Musica Sacra","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.15633/PMS.2582","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1
Abstract
Musical illustration of the text in the 18th century Vesper cycles by the composers of Jasna Góra Monastery The Vespers attracted the interest of many church composers and were – apart from the Mass – the second most frequently chosen service text. The musical setting of this part of officium divinum became richer in the course of time, especially in the monastic rite. The Vespers of Jasna Góra were of special nature since the prayer of the monks was accompanied by the Pauline monastery music ensemble. Its repertoire included works by composers connected with Częstochowa, who were instrumentalists or kapellmeisters in the monastery. The article presents seven composers connected with Jasna Góra in the 1700’s. The material was analyzed in terms of the relationship between the liturgical text and the musical setting, which was the very core of the 18th century art of composition. The musical works studied show features characteristic for the music of early Classical period, at the Muzyczna ilustracja tekstu w XVIII-wiecznych cyklach nieszpornych... 189 same time retaining some elements typical of the Baroque rhetoric. The Vespers of Jasna Góra are valuable evidence of Polish cultural heritage – one of the few preserved works of this kind.
18世纪晚祷周期文本的音乐插图,由Jasna Góra修道院的作曲家。晚祷吸引了许多教会作曲家的兴趣,除了弥撒之外,是第二常被选择的服务文本。随着时间的推移,特别是在修道院仪式中,这一部分的音乐背景变得更加丰富。雅斯纳的晚祷Góra具有特殊的性质,因为僧侣们的祈祷是由波林修道院的音乐合奏伴奏的。它的保留曲目包括与Częstochowa有关的作曲家的作品,他们是修道院里的乐器演奏家或乐队指挥。本文介绍了17世纪与雅斯娜Góra有关的七位作曲家。根据仪式文本与音乐背景之间的关系来分析材料,这是18世纪作曲艺术的核心。所研究的音乐作品表现出早期古典时期音乐的特征,在Muzyczna illustracja tekstu w XVIII-wiecznych cyklach nieszpornych…同时保留了巴洛克修辞的一些典型元素。雅斯纳晚祷Góra是波兰文化遗产的宝贵证据,是少数保存下来的这类作品之一。