Introducing the Prose Poem

P. Hetherington, C. Atherton
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Abstract

This chapter traces prose poetry's development in nineteenth-century France and its early reception and subsequent critical views about the form. The prose poem in English is now established as an important literary form in many countries at a time when the composition and publication of poetry is thriving. However, while poetry generally continues to be recognized as a literary genre highly suited to expressing intense emotion, grappling with the ineffable and the intimate, and while lineated lyric poetry is widely admired for its rhythms and musicality, the main scholarship written about English-language prose poetry to date defines the form as problematic, paradoxical, ambiguous, unresolved, or contradictory. The common observation that the term “prose poetry” appears to contain a contradiction is not surprising given that poetry and prose are often understood to be fundamentally different kinds of writing. The chapter then defines the prose poem's main features and discusses the challenge prose poetry presents to established ideas of literary genre.
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散文诗简介
这一章追溯了散文诗在19世纪法国的发展,以及它的早期接受和随后对这种形式的批评观点。在诗歌创作和出版蓬勃发展的今天,英语散文诗在许多国家已确立为一种重要的文学形式。然而,虽然诗歌通常继续被认为是一种非常适合表达强烈情感的文学类型,与不可言喻和亲密的斗争,虽然有线条的抒情诗因其节奏和音乐性而广受赞赏,但迄今为止,关于英语散文诗的主要学术研究将这种形式定义为有问题的、矛盾的、模棱两可的、未解决的或矛盾的。人们普遍认为“散文诗”一词似乎包含矛盾,这并不奇怪,因为诗歌和散文通常被理解为根本不同的写作形式。接着界定了散文诗的主要特征,并讨论了散文诗对既定文学体裁观念的挑战。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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Frontmatter CHAPTER 3 Prose Poetry, Rhythm, and the City CHAPTER 5 Neo-Surrealism within the Prose Poetry Tradition Index CHAPTER 8 Metaphor, Metonymy, and the Prose Poem
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