Fictionalizing Ferguson in Prime-Time Dramas

M. Ames
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Abstract

Chapter Seven narrows its focus to one particular year of programming that featured storylines about police brutality, inequity within the criminal justice system, and the #Black Lives Matter movement that has risen to speak out against both. Drawing upon trauma theory, this essay analyzes special episodes of CBS's The Good Wife (2009-2016) and ABC's Scandal (2010-2018) -- which have been referred to by media critics as each program's respective "Ferguson episode" -- and the first season of ABC's American Crime (2015-2017), a gritty crime anthology/mini-series which unflinchingly tackled racial conflict in its debut year. While there are reasons to be wary of attempts to fictionalize current race relations, this chapter ultimately argues that series that include thoughtful, complex storylines, and televisual aesthetics that underscore the social commentary contained with the program, may allow these issues not just to be understood, but felt.
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在黄金时段电视剧中虚构弗格森
第七章将重点集中在某一年的节目上,该节目的故事情节涉及警察暴行、刑事司法系统内的不平等,以及#黑人的命也很重要# (Black Lives Matter)运动,该运动已经兴起,反对这两者。根据创伤理论,本文分析了CBS电视台的《傲骨贤妻》(2009-2016)和ABC电视台的《丑闻》(2010-2018)的特别集——这两部剧被媒体评论家称为各自的“弗格森集”——以及ABC电视台的《美国犯罪》(2015-2017)的第一季,这是一部坚韧韧心的犯罪选集/迷你剧,首播时就毫不畏惧地处理了种族冲突。虽然有理由警惕将当前种族关系虚构化的企图,但本章最终认为,包含深思熟虑、复杂的故事情节和强调节目中包含的社会评论的电视美学的系列,可能不仅让这些问题被理解,而且让人感受到。
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