A Critical Discourse Analysis of Love Metaphors in Selected Songs of Benga Maestro Dr. Osito Kalle

B. Kodak, Cellyne Awino
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Abstract

Love is an eternal topic that continues to elicit emotive reactions throughout the ages. It can be conceptualized as an expression of peace and war. Love metaphors allow us to comprehend love in terms of more clearly delineated concepts [30]. Love metaphors are prevalent in Benga music by musicians from the Luo community of Kenya. Dr. Osito Kalle is one such musician whose songs are heavy with love metaphors in praise of his ladies. Benga music is a variant of the rhumba genre of music commonly found among the Luo of Western Kenya. Many studies have been done on metaphors as a genre of oral literature [27-29]. Other studies have been carried out on how metaphors construct mental images for the audience. However, these studies have not targeted love metaphors in Benga music as a form of entertainment and mental constructions of imagery. The use of love metaphors in songs is a sociolinguistic phenomenon that needs to be examined. This paper undertakes a Critical Discourse Analysis of the constructions of love metaphors by Osito Kalle in Dholuo cultural, social and environmental contexts.
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班加音乐大师奥西托·卡莱博士《歌曲选集》中爱情隐喻的批判性话语分析
爱情是一个永恒的话题,在各个时代都会引发情感反应。它可以被理解为和平与战争的表达。爱的隐喻使我们能够用更清晰的概念来理解爱[30]。爱的隐喻在本加音乐中很流行,这些音乐是由肯尼亚罗社区的音乐家创作的。奥西托·卡莱博士(Dr. Osito Kalle)就是这样一位音乐家,他的歌曲中充满了赞美他的女士们的爱情隐喻。本加音乐是伦巴音乐的一种变体,通常在肯尼亚西部的卢奥人中发现。隐喻作为口头文学的一种体裁已经被做了很多研究[27-29]。其他关于隐喻如何为观众构建心理形象的研究也在进行。然而,这些研究并没有将本加音乐中的爱情隐喻作为一种娱乐形式和意象的心理建构。歌曲中爱情隐喻的使用是一种需要研究的社会语言学现象。本文对奥西托·卡莱的爱情隐喻在多洛文化、社会和环境语境中的建构进行了批判性话语分析。
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