{"title":"Circling towards intimacy: Trees, tactile reading and ecosexual non-human companionship","authors":"Rachel Elizabeth Coleman","doi":"10.1386/jaws_00041_1","DOIUrl":null,"url":null,"abstract":"Adopting a fresh approach to autoethnographic writing, this article unfurls tactile encounters with the more-than-human through an active exercise in readership. Situating this within ecosexual and psycho-somatic framings, the text queers kinaesthetic encounter, presenting it as holding the potential for deeper connection, understanding and amity across species. Drawing on Konik and Konik’s notion of a ‘barefoot epistemology’ (: 80), and an overlay of sensorial, critical and reflective writing, the structure of the essay enacts a mimesis of the author’s own kinaesthetic encounter, exploring the provision of research writing to offer the reader their own embodied experience. Questions of research materiality support an enlivened research encounter.","PeriodicalId":244127,"journal":{"name":"JAWS: Journal of Arts Writing by Students","volume":"63 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"JAWS: Journal of Arts Writing by Students","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/jaws_00041_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Adopting a fresh approach to autoethnographic writing, this article unfurls tactile encounters with the more-than-human through an active exercise in readership. Situating this within ecosexual and psycho-somatic framings, the text queers kinaesthetic encounter, presenting it as holding the potential for deeper connection, understanding and amity across species. Drawing on Konik and Konik’s notion of a ‘barefoot epistemology’ (: 80), and an overlay of sensorial, critical and reflective writing, the structure of the essay enacts a mimesis of the author’s own kinaesthetic encounter, exploring the provision of research writing to offer the reader their own embodied experience. Questions of research materiality support an enlivened research encounter.