The Harmony of Woman Body in Galih Reza Suseno Paintings

Nanang Yulianto, Narsen Afatara, B. Sudardi, Warto
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Abstract

Painting as the work of art represents the values that the artist believes in interpreting life based on personal experiences and point of views. This study aims to explore various representations of harmony values in women’s bodies in Galih Reza Suseno paintings. The study was conducted at Bangunharjo, Sewon, Bantul, Indonesia during July-December 2020. This study used a qualitative method with an embedded single case study approach. The results showed Galih painted based on Imago Dei's concept, which is a value in Christian teachings, which means that man was created similar to God. Galih presents women's bodies in paintings based on the view that the world of imagery often deceives modern women. Galih defines women, not as objects but subjects who become themselves and are entitled to their bodies. Visualization of women's bodies in various gestures, expressions, and imagery represents the values of harmony within the spirituality of life.
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加利·礼萨·苏塞诺绘画中女性身体的和谐
绘画作为一种艺术作品,代表了艺术家基于个人经历和观点解读生活的价值观。本研究旨在探讨加利·礼萨·苏塞诺绘画中女性身体中和谐价值观的各种表现。该研究于2020年7月至12月在印度尼西亚班图尔Sewon的Bangunharjo进行。本研究采用了定性方法和嵌入式单一案例研究方法。结果显示,加利亚的绘画是基于上帝意象的概念,这是基督教教义中的一种价值观,意思是人被创造得与上帝相似。加利在绘画中呈现女性的身体,是基于意象世界经常欺骗现代女性的观点。加利将女性定义为主体,而不是客体,她们成为自己,有权拥有自己的身体。以各种姿势、表情和意象将女性身体形象化,代表了生命灵性中和谐的价值。
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