{"title":"Flying the Jolly Roger: Images of Escape and Selfhood in\n Tennessee Williams's \"The Glass Menagerie\"","authors":"Single","doi":"10.2307/45344359","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":269050,"journal":{"name":"The Tennessee Williams Annual Review","volume":"29 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"3","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Tennessee Williams Annual Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/45344359","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
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