‘[T]he thing that makes us different from other people’:1 Narrating incest through ‘différance’ in the work of Angela Carter, A.S. Byatt and Doris Lessing

Emma V. Miller, Miles Leeson
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Abstract

Using Carter’s textual relationship with Saussure and Derrida as a starting point, this chapter will examine the writing of two other “literary” female authors and their narratological engagement with incest and difference with regard to Derridean différance. This will include a discussion of A.S. Byatt’s writing of incest and the assertion of familial class difference in Morpho Eugenia (1992). Similarly in Doris Lessing’s The Golden Notebook (1962), there is also a social and cultural hierarchy of difference, which is expressed through the telling of incest. By linking the difference of both the incestuous and the separateness of the notebooks a reading of transcription will suggest that incest does not only fill the abject space but comes perilously closer to home.
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“使我们与其他人不同的东西”:安吉拉·卡特、A.S.拜厄特和多丽丝·莱辛的作品中通过“差异”来叙述乱伦
以卡特与索绪尔和德里达的文本关系为出发点,本章将考察另外两位“文学”女性作家的写作,以及她们在叙事上与乱伦的接触,以及与德里达差异有关的差异。这将包括对A.S. Byatt关于乱伦的写作和《优生Morpho Eugenia》(1992)中关于家族阶级差异的主张的讨论。同样,在多丽丝·莱辛的《金色笔记本》(1962)中,也存在着一种社会和文化的等级差异,这种差异通过讲述乱伦来表达。通过将乱伦和笔记本分离的区别联系起来,阅读抄本会发现乱伦不仅填补了可怜的空间,而且危险地更接近家园。
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Is posthuman incest possible? Science fiction and the futures of the body ‘[B]orn to make a real life, however it cracks your heart’:1 Creative women and daydreaming in Margo Lanagan’s Tender Morsels (2008) Avuncular ambiguity: Ethical virtue in Iris Murdoch’s The Black Prince (1973 and Simone de Beauvoir’s The Mandarins (1954) ‘Is’t not a kind of incest?’1 Metaphor and relation in the poetry of Ted Hughes and Sylvia Plath ‘Waking in the dark’:1 Remembering incest in A Thousand Acres (1991), Exposure (1993) and Beautiful Kate (2009)
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