قراءة في الأنساق الثقافية لنص نسيان Com لأحلام مستغانمي

Abstract

Stephane Celimon considers colonial literature a form of cultural criticism and critical cultural analysis, it is also an approach to liberating entire societies from the hegemonic codes of cultural masks ... From these Arabic texts we find a text " nissian Com" by Algerian writer AhlamMostaganemi, which is a distinctive type of writing, the writer entered it after her unique narrative experience through her famous trio (dakirateljassed, fawdaaelhawas, abirsarir), it is therefore a temporal text of colonial literature or post-colonial writing, sexually / qualitatively (or through gender) this text belongs to a new type of literature known as "non-genre literature". And if we consider that text " nissian Com" was surrounded by a set of cultural patterns covered, the question is: Could text " nissian Com" pass its patterns? and what are these patterns passed by? and how did he do that?