نرجسية احتضان الحلم الأول في رواية الصحراء:, مقاربة نفسانية لرواية التبر لإبراهيم الكوني

دليلة زغودي دليلة زغودي
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Abstract

Freudian psychological theory refers all of the novels to "an ancient, original and forgotten novel in the early years of childhood. The novel tells the story of a lost childish dream held by a child who remained clinging to a family monkey threatened with loss. The first narration is forgotten and time stores the dream in areas of pent-up desires, but they do not decay, but return later in fictional writings that write the old dream in a persuasive language. Evidence that each novel was found before it was written, and that it is merely a distorted version of the original novel hidden behind the screening, which merely sends dreamy signals that defraud linguistic censorship to leak something of the forbidden longing. This study will seek to track these signs floating on the surface of the poetic language in which the Libyan novelist Ibrahim Al-Kony writes his novels on the desert. Trying to trace the traces of a childhood whose wound is still bleeding And listening to the echoes of a distant dream calls for pure worlds free of human beings, in whose arms the old child, exhausted from the journey of repression and forgetfulness, threw back his lost paradise. I chose "Al-Tabbar" as a field to work on this unbridled tendency in the tale of the desert narration because of its richness, and the dream spread in it over large areas of mythical, metaphysical and ontological ...
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《沙漠》中的第一个梦想是自恋,对亚伯拉罕·宇宙的故事的心理
弗洛伊德的心理学理论把所有的小说都称为“童年早期的一本古老的、原创的、被遗忘的小说”。这部小说讲述了一个孩子失去了童年的梦想,他紧紧抓住一只濒临失去的猴子。第一次的叙述被遗忘了,时间把梦储存在被压抑的欲望中,但它们并没有衰退,而是后来在虚构的作品中回归,用一种有说服力的语言把旧的梦写了出来。有证据表明,每本小说都是在写出来之前被发现的,它只是隐藏在放映背后的原小说的扭曲版本,这只是发出了欺骗语言审查的梦幻信号,泄露了一些被禁止的渴望。这项研究将试图追踪这些漂浮在利比亚小说家易卜拉欣·阿尔科尼在沙漠上写小说的诗意语言表面上的迹象。试图追寻一个伤口仍在流血的童年的痕迹,倾听遥远的梦的回声,呼唤一个没有人类的纯净世界,在那里,被压抑和遗忘的旅程弄得疲惫不堪的老孩子,把他失去的天堂抛回怀里。我选择“Al-Tabbar”作为研究沙漠故事叙事中这种无拘无束的倾向的领域,因为它的丰富性,以及梦境在其中传播的大面积神话、形而上学和本体论……
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