Kratke novele – nedovršena III. knjiga novela Vladana Desnice i drugi novelistički tekstovi iz piščeve ostavštine

Vladan Bajčeta
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Abstract

Summary: Novellas comprise the majority of Vladan Desnica’s literary estate. Th e thirty seven manuscripts and dactylograms discovered after his demise, of varying sizes and degrees of comple-teness, and only one of which was ever published in a periodical in his lifetime, provide insight in-to Desnica’s storytelling process and change our understanding of that aspect of his literary work. Th e surviving list, which contains eighteen titles, shows that Desnica had planned to publish a third book of novellas (alternatively titled Short fi ction ). It is also evident that Desnica abandoned the original concept and was obviously working on his stories with the intent of publishing them in a diff erent conceptual form. In accordance with their degree of artistic completeness, twelve texts have been selected with the aim of publishing a critical edition in the near future. Th e titles in question are: Nobelovac ( Th e Nobel Prize Winner ), Uplakana ženica ( Th e Weeping Little Woman ), Čovječanstvo ( Humankind ), Tetka Melanija ( Th e Aunt Melanija ), Aperitiv ( Th e Aperitif ), Dva prijatelja ( Two friends ), Istina o Adalbertu ( Th e Truth About Adalbert ), Noć u Skrocima ( A Night in Skroci ), Onkel , Posjeta pjesniku ( A Visit to A Poet ), Svejednako ( All the Same ) and Zasluženi odmor ( A Well-Deserved Break ). Th is paper provides a textological analysis of the aforementioned selec-tion and discusses its position in the context of Desnica’s body of work as writer of short fi ction. It also provides an analysis of those aspects of the poetics of these novellas which shift our understanding of Desnica’s narrative techniques. Just as they change our understanding of Vladan Desnica as an artist, these texts shape our perception of his place within the literary and historical context he worked in.
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中篇小说构成了弗拉丹·德斯尼察文学遗产的大部分。在德斯尼察死后发现的37份手稿和写真,大小不一,完整程度不一,其中只有一份在他生前发表在期刊上,这些手稿和写真为我们提供了对德斯尼察讲故事过程的洞察,并改变了我们对他文学作品这方面的理解。现存的名单中有18本书,表明德斯尼卡曾计划出版第三本中篇小说(也可以称为短篇小说)。同样明显的是,Desnica放弃了最初的概念,显然是在创作他的故事,意图以一种不同的概念形式发表它们。根据它们的艺术完整程度,选择了12个文本,目的是在不久的将来出版一个批评版本。Th e标题问题是:Nobelovac (Th e诺贝尔奖得主),Uplakanaženica (Th e哭泣的小女人),Čovječanstvo(人类),Tetka Melanija (Th e Melanija阿姨),Aperitiv (Th e开胃酒),Dva prijatelja(两个朋友),Istina o Adalbertu Adalbert (Th e真相),没有ću Skrocima Skroci(一晚),叔叔,Posjeta pjesniku(访问一个诗人),Svejednako(同样的)和Zasluž埃尼odmor(一个当之无愧的假期)。本文对上述选集进行了文本分析,并讨论了其在德斯尼察作为短篇小说作家的作品中的地位。它也提供了这些中篇小说的诗学方面的分析这些方面改变了我们对德斯尼卡叙事技巧的理解。正如它们改变了我们对弗拉丹·德斯尼察作为艺术家的理解一样,这些文本塑造了我们对他在他所工作的文学和历史背景中的地位的看法。
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Kulturna politika i umjetnička djela za interijere javnih institucija u Zagrebu 1950-ih i 1960-ih godina „Jedan narodni jezik i jedan jedinstven književni jezik“. Anketa Letopisa matice srpske i sastanak u Novom Sadu „Zagrebačke teme“ u formativnom periodu Srpskog književnog glasnika (1920. – 1921.) Zagreb na filmovima Televizije Zagreb 1956. – 1967.: promocija, reprezentacija i urbanizacija grada Međunarodne umjetničke izložbe u Zagrebu 1924. – 1930.
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