Giving Away the Game – Scattershot Notes on Social Class and Other Afflictions

J. Donnelly
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Abstract

One of my earliest jobs was driving for an unregulated car service in New York.  In the days before Uber they were called ‘gypsy cabs.’  One night I found myself on the business end of a revolver.  Telling the tale to my dispatcher next day, he was staggeringly nonplussed.  ‘Ya gotta put up with a lot,’ he said, ‘when you’re tryin’ t’ get ahead.’  ‘Yeah,’ I replied, disgusted, ‘even gettin’ your head blown off.’  Some time later, another driver, an African-American in a similar scenario, didn’t make it, emphasizing how much higher the stakes for a person of color.  These are the real wages of work, I thought, and the rules of the game. My dispatcher’s nonchalance bespoke how invested in the game he was; in a set of beliefs, assumptions, and animating myths that keep the wheel of fortune going.  Like the Monty Python skit about the collapsing tower, if too few invest in those myths, the entire edifice crumbles. The following is a personal essay that attempts to navigate the game’s parameters - social class, aspiration, and its attendant neurosis - and the myths that animate such notions as ‘getting ahead,’ ‘climbing the ladder,’ and the ‘American Dream,’ my country’s main (ideological) export.  The approach is less theory-driven than empirical, phenomenological.  Hence the numbered sections, a style popularized by Wittgenstein, Herbert Read and others.  Here it doesn’t represent chronology so much as the elusive, episodic nature of the beast. 
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赠送游戏——关于社会阶层和其他苦难的散点笔记
我最早的一份工作是在纽约为一家不受监管的汽车服务公司开车。在优步出现之前,它们被称为“吉普赛出租车”。“一天晚上,我发现自己被一把左轮手枪打中了。第二天,当我把这件事告诉调度员时,他非常困惑。"当你想出人头地的时候,"他说,"你得忍受很多。“是的,”我厌恶地回答,“甚至连脑袋都被炸掉了。”过了一段时间,另一名遭遇类似情况的非裔美国人司机没能成功,这凸显了有色人种的风险要高得多。我想,这才是真正的劳动报酬,也是游戏规则。调度员的冷淡表明他对这款游戏投入了多少;在一套信仰、假设和生动的神话中,让命运之轮继续运转。就像巨蟒剧团(Monty Python)关于塔楼倒塌的短剧一样,如果对这些神话投资太少,整个大厦就会倒塌。以下是我的一篇个人文章,试图驾驭这个游戏的参数——社会阶层、抱负和随之而来的神经官能症——以及那些使“出人头地”、“步步高升”和“美国梦”(我的国家的主要(意识形态)输出等概念活跃起来的神话。这种方法与其说是理论驱动的,不如说是经验的、现象学的。因此,有编号的章节,一种由维特根斯坦,赫伯特·里德和其他人推广的风格。在这里,与其说它代表了时间顺序,不如说它代表了这头野兽难以捉摸的、断断续续的本性。
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