{"title":"Cultural and artistic dialogue of ukrainian theaters in polish periodicals at the beginning of the 21st century","authors":"Andrii Sendetskyi","doi":"10.34079/2226-2849-2022-12-23-131-143","DOIUrl":null,"url":null,"abstract":"The paper gives an analysis of articles, reports, and reviews of specialized Polish periodicals from 2000 to 2010, which include interviews, reviews, impressions, and comments of theater experts about contemporary cultural and artistic events in Poland in which Ukrainian artists participated. To fulfill the tasks set in the research, the author considers the main theatrical magazines of Poland “Dialog. Miesięcznik poświęcony dramaturgii współczesnej”, “Didaskalia”, “Pamiętnik Teatralny”, “Scena”, “Teatr”, which have had a long history of activity since the last century. The analytical work of the study is part of the preparatory stage before digitizing the materials on the Ukrainian-Polish cultural dialogue and placing them in the Polish Academy of Sciences database. The current issue requires improving the content in the virtual information environment regarding the creative activity of Ukrainian theaters. Accumulation, storage, and research of available information in electronic format will enable immediate processing and speed up the solution of many current problems: visualize the quantitative indicators of the institution's activity; make it possible to forecast its development; contribute to the search for effective ways of functioning. The author considers that a significant unsolved aspect of the problem is the lack of research into the Ukrainian-Polish cultural-artistic dialogue, which concerns theatrical practices at the beginning of the 21st century. The fact justifies the originality of the research, as there has been no study of Polish periodicals on theater studies, whose publications reflect the activities of Ukrainian artists. The chronological framework in the study is essential, as it was marked by important political events in both countries: 2004, when Poland joined the European Union, and in Ukraine, the Orange Revolution. The preliminary result of the analysis of Polish theater publications illustrates a specific direction of each of them and is the basis for determining their thematic direction: retrospectives, festival events, and creative meetings; biographies of personalities and discovery of new names; literary reviews. The activity of Ukrainian actors and theater groups in the artistic life of Poland is one of the indicators of the work of governmental cultural diplomacy and personal contact between the two countries, which determines the strengths and weaknesses of international relations. Further investigation of the phenomenon will make it possible to trace the dynamics of international communication ties of the period recorded in theater journals. In the future, the author aims to explore similar information in mass media (press, television, websites) and conduct interviews in focus groups (theatre administration, theater critics, ambassadors). Such a comprehensive systemic approach will contribute to the demonstration of a complete and accurate picture of the Ukrainian-Polish cultural and artistic dialogue on the example of theatrical practices.","PeriodicalId":145949,"journal":{"name":"Bulletin of Mariupol State University Series Philosophy culture studies sociology","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Bulletin of Mariupol State University Series Philosophy culture studies sociology","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.34079/2226-2849-2022-12-23-131-143","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
The paper gives an analysis of articles, reports, and reviews of specialized Polish periodicals from 2000 to 2010, which include interviews, reviews, impressions, and comments of theater experts about contemporary cultural and artistic events in Poland in which Ukrainian artists participated. To fulfill the tasks set in the research, the author considers the main theatrical magazines of Poland “Dialog. Miesięcznik poświęcony dramaturgii współczesnej”, “Didaskalia”, “Pamiętnik Teatralny”, “Scena”, “Teatr”, which have had a long history of activity since the last century. The analytical work of the study is part of the preparatory stage before digitizing the materials on the Ukrainian-Polish cultural dialogue and placing them in the Polish Academy of Sciences database. The current issue requires improving the content in the virtual information environment regarding the creative activity of Ukrainian theaters. Accumulation, storage, and research of available information in electronic format will enable immediate processing and speed up the solution of many current problems: visualize the quantitative indicators of the institution's activity; make it possible to forecast its development; contribute to the search for effective ways of functioning. The author considers that a significant unsolved aspect of the problem is the lack of research into the Ukrainian-Polish cultural-artistic dialogue, which concerns theatrical practices at the beginning of the 21st century. The fact justifies the originality of the research, as there has been no study of Polish periodicals on theater studies, whose publications reflect the activities of Ukrainian artists. The chronological framework in the study is essential, as it was marked by important political events in both countries: 2004, when Poland joined the European Union, and in Ukraine, the Orange Revolution. The preliminary result of the analysis of Polish theater publications illustrates a specific direction of each of them and is the basis for determining their thematic direction: retrospectives, festival events, and creative meetings; biographies of personalities and discovery of new names; literary reviews. The activity of Ukrainian actors and theater groups in the artistic life of Poland is one of the indicators of the work of governmental cultural diplomacy and personal contact between the two countries, which determines the strengths and weaknesses of international relations. Further investigation of the phenomenon will make it possible to trace the dynamics of international communication ties of the period recorded in theater journals. In the future, the author aims to explore similar information in mass media (press, television, websites) and conduct interviews in focus groups (theatre administration, theater critics, ambassadors). Such a comprehensive systemic approach will contribute to the demonstration of a complete and accurate picture of the Ukrainian-Polish cultural and artistic dialogue on the example of theatrical practices.
本文分析了2000年至2010年波兰专业期刊上的文章、报告和评论,其中包括戏剧专家对乌克兰艺术家参与的波兰当代文化和艺术事件的采访、评论、印象和评论。为了完成研究任务,笔者以波兰主要戏剧杂志《对话》为研究对象。Miesięcznik poświęcony dramaturgii współczesnej”,“Didaskalia”,“Pamiętnik Teatralny”,“Scena”,“Teatr”,自上个世纪以来一直有悠久的活动历史。这项研究的分析工作是将乌克兰-波兰文化对话材料数字化并将其放入波兰科学院数据库之前的准备阶段的一部分。当前的问题需要在虚拟信息环境中改进乌克兰剧院创作活动的内容。以电子形式积累、储存和研究现有信息将能够立即处理和加速解决许多当前问题:使机构活动的定量指标可视化;使预测其发展成为可能;帮助寻找有效的运作方式。作者认为,该问题尚未解决的一个重要方面是缺乏对乌克兰-波兰文化艺术对话的研究,这涉及到21世纪初的戏剧实践。这一事实证明了这项研究的独创性,因为没有对波兰戏剧研究期刊进行研究,这些期刊的出版物反映了乌克兰艺术家的活动。研究中的时间框架是至关重要的,因为这两个国家都发生了重要的政治事件:2004年波兰加入欧盟,乌克兰发生了橙色革命。对波兰戏剧出版物的初步分析结果说明了每一种出版物的具体方向,这是确定其主题方向的基础:回顾、节日活动和创意会议;人物传记和新名字的发现;文学评论。乌克兰演员和戏剧团体在波兰艺术生活中的活动是两国政府文化外交工作和个人接触的指标之一,这决定了国际关系的优劣。对这一现象的进一步调查将使我们有可能追踪戏剧杂志所记录的这一时期国际交流关系的动态。在未来,作者的目标是在大众媒体(报纸,电视,网站)中探索类似的信息,并对焦点群体(剧院管理,戏剧评论家,大使)进行采访。这种全面系统的方法将有助于以戏剧实践为例,全面和准确地展示乌克兰-波兰文化和艺术对话。