What do they make us see: a comparative study of cultural bias in online databases of two large museums

M. Zhitomirsky-Geffet, I. Kizhner, Sara Minster
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Abstract

PurposeLarge cultural heritage datasets from museum collections tend to be biased and demonstrate omissions that result from a series of decisions at various stages of the collection construction. The purpose of this study is to apply a set of ethical criteria to compare the level of bias of six online databases produced by two major art museums, identifying the most biased and the least biased databases.Design/methodology/approachAt the first stage, the relevant data have been automatically extracted from all six databases and mapped to a unified ontological scheme based on Wikidata. Then, the authors applied ethical criteria to the results of the geographical distribution of records provided by two major art museums as online databases accessed via museums' websites, API datasets and datasets submitted to Wikidata.FindingsThe authors show that the museums use different artworks in each of its online databases and each data-base has different types of bias reflected by the study variables, such as artworks' country of origin or the creator's nationality. For most variables, the database behind the online search system on the museum's website is more balanced and ethical than the API dataset and Wikidata databases of the two museums.Originality/valueBy applying ethical criteria to the analysis of cultural bias in various museum databases aimed at different audiences including end users, researchers and commercial institutions, this paper shows the importance of explicating bias and maintaining integrity in cultural heritage representation through different channels that potentially have high impact on how culture is perceived, disseminated, contextualized and transformed.
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他们让我们看到了什么:两个大型博物馆在线数据库中文化偏见的比较研究
目的:来自博物馆藏品的大型文化遗产数据集往往是有偏见的,并且显示了由于在藏品建设的不同阶段的一系列决策而导致的遗漏。本研究的目的是应用一套道德标准来比较两家主要艺术博物馆制作的六个在线数据库的偏见水平,确定偏见最大和偏见最小的数据库。设计/方法/方法第一阶段,从所有六个数据库中自动提取相关数据,并将其映射到基于Wikidata的统一本体方案。然后,作者将伦理标准应用于两家主要艺术博物馆提供的记录的地理分布结果,这些记录作为在线数据库,通过博物馆网站、API数据集和提交给维基数据集访问。研究结果表明,博物馆在每个在线数据库中使用不同的艺术品,每个数据库都有不同类型的偏见,这些偏见反映在研究变量上,比如艺术品的原产国或创作者的国籍。对于大多数变量,博物馆网站上在线搜索系统背后的数据库比两个博物馆的API数据集和维基数据库更平衡、更道德。原创性/价值通过将伦理标准应用于针对不同受众(包括最终用户、研究人员和商业机构)的各种博物馆数据库中的文化偏见分析,本文显示了通过不同渠道解释偏见和保持文化遗产表现完整性的重要性,这些渠道可能对文化如何被感知、传播、语境化和转化产生重大影响。
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