Analyzing the Non-Fungible Tokens (NFT) Implementation in Digital Music Industry: A Mix Method Study

Nanang Husin, Albert Budiyanto, Albertus Karjono, M. Christiningrum, Novan Yurindera, D. Nuryanti, Tiwi Herninta, Susi Adiawaty, Bambang Wahyudi Wicaksono
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引用次数: 1

Abstract

The Digital Music Transformation has reshaped the music industry. It has three leading players with significant roles: user consumer, artist creator, and music label. The streaming service is currently the biggest revenue contributor, with 16,9 Billion USD in 2021. Sadly, the other form of digital music fell short in their revenue. But, even with the massive revenue increase from the streaming service, just a few greatly benefit from it. With the ‘pro rata’ business model, the small artist and label will only have a small cut of the subscription money the user paid. If all non-major artist fans only listen to their favorite indie artist music day and night, their subscription fee will mainly still go to the top major label and the service provider. And with the decline of other forms of music revenue made it worse. Presently, there is little to nothing about other proposed forms of digital music service offering research or the new implementation of it. There is preliminary research from Turkey that shows the advantages and disadvantages of using NFTs in the music industry, which concludes that the use of NFTs has the potential to provide significant benefits in the music industry. In this regard, the research tries to study the implementation of the NFT in the digital music service that could become an alternate or complement for digital music streaming service. The research will use the mixed method to capture and determine whether the NFT implementation form in digital music does give benefits. The quantitate used the 469-participant data survey from the KereHore Facebook group, while the qualitative was performed using interviews with the three main players of digital music services. The research result shows that NFT implementation in the Perceived e-collectible has merits and benefits.
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数字音乐产业中不可替代令牌(NFT)实现分析:一种混合方法研究
数字音乐转型重塑了音乐产业。它有三个主要的角色:用户消费者、艺术家创作者和音乐厂牌。流媒体服务目前是最大的收入贡献者,到2021年将达到169亿美元。遗憾的是,另一种形式的数字音乐收入却不尽人意。但是,即使流媒体服务带来了巨大的收入增长,也只有少数人从中受益匪浅。在“按比例”的商业模式下,小艺人和厂牌只能从用户支付的订阅费中分得一小部分。如果所有非主流艺人的粉丝都只听自己喜欢的独立艺人的音乐,那么他们的订阅费用仍然会主要流向顶级主流厂牌和服务提供商。随着其他形式音乐收入的下降,情况变得更糟。目前,几乎没有其他形式的数字音乐服务提供的研究或新的实现。土耳其的初步研究显示了在音乐产业中使用nft的优点和缺点,结论是使用nft有可能在音乐产业中提供显着的好处。在这方面,本研究试图研究NFT在数字音乐服务中的实施,这可能成为数字音乐流媒体服务的替代或补充。该研究将使用混合方法来捕获和确定NFT在数字音乐中的实施形式是否确实带来了好处。定量研究使用了来自kerehor Facebook小组的469名参与者的数据调查,而定性研究则使用了对数字音乐服务的三大主要参与者的采访。研究结果表明,在可感知电子收藏品中实施NFT具有优点和效益。
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