Applying a Mad Studies Framework to Opera: Poulenc’s Dialogues des Carmélites

Colette Simonot-Maiello
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Abstract

Multiple readings of madness are examined in Poulenc’s opera Dialogues des Carmélites (1957) through the framework of mad studies. Several layers of madness can be found in this work: individual lived experiences of madness, the history of mental illness in France during and aHer the French Revolution, and the cultural metaphor of hysteria as social degeneration, as articulated by Micale. Close readings of two scenes Intersections 40/1 (2020) 25 with a discussion of their musical features are included: the :rst prioress’s death (act 1, scene 4) and the :nal scene at the guillotine (act 3, scene 4).
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将疯狂研究框架应用于歌剧:普伦克的《关于卡姆萨伊特人的对话》
在普朗克的歌剧《卡姆萨伊特对话》(1957)中,通过疯狂研究的框架,对疯狂进行了多重解读。在这部作品中可以找到几个层次的疯狂:个人的疯狂生活经历,法国大革命期间和之后的法国精神疾病历史,以及歇斯底里作为社会堕落的文化隐喻,正如米卡尔所阐述的那样。仔细阅读《十字路口40/1(2020)25》中的两个场景,并讨论它们的音乐特征:院长之死(第一幕,第4场)和断头台前的最后一幕(第三幕,第4场)。
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