Making meaning

T. Waterman
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Abstract

Education is a practice of futurity. It seeks to prepare the minds and bodies that will construct and inhabit the future. Design in the architectural disciplines—the architectures—also prepares buildings (landscape, edifice, city, countryside) for future dwelling.This essay examines the use of the imagination and creativity in the design process and how it may be employed to posit better future worlds despite, and counter to, the prevalence of neoliberal imaginaries. Utopianism as both pedagogical method and design process is presented as is the employment of the senses to bring the site and its materials alive in the embodied imagination. Both are methods for envisioning scenarios for whole ecological, sensual, and emotional worlds to better design for dwelling. Processes of making are shown as interwoven with imagined stories, simulations, and situations in a series of sections. Each section attempts to describe a whole realm of making, thus they are loosely held together within the structure of the essay to allow the reader space for imagination and discovery in the terrae incognitae between.
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使意义
教育是面向未来的实践。它旨在为构建和居住未来的思想和身体做好准备。建筑学科中的设计——建筑——也为未来的住宅准备建筑(景观、大厦、城市、乡村)。这篇文章探讨了在设计过程中想象力和创造力的运用,以及如何利用它来设想更美好的未来世界,尽管新自由主义的想象盛行,但也与之相反。乌托邦主义作为一种教学方法和设计过程,通过运用感官,使场地及其材料在具体化的想象中活跃起来。两者都是为整个生态、感官和情感世界设想场景的方法,以更好地设计住宅。制作过程在一系列章节中与想象的故事、模拟和情境交织在一起。每个部分都试图描述一个完整的制作领域,因此它们在文章的结构中松散地结合在一起,让读者在未知的领域中有想象和发现的空间。
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