'Biblioteca de livros digitais': the privileged space of a transliterate experience for children reading online

Fernanda Bonacho
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引用次数: 2

Abstract

When you digitalize a different version, or even when you create a book digitally, that implies choices of format, codification and standards which are going to definitely change our experience as readers. Whilst analyzing the Portuguese project 'Biblioteca de Livros Digitais'[2], I question how the use of new technologies has been translating aesthetic innovations into the every day most sensitive reading experience. I believe that important questions about reading comprehension on the digital realm need to be addressed if we want to effectively understand online reading today. In this paper, I will closely examine the skills and abilities needed to interact with e-books on BLD while exploring the answers to these three questions: Is the reading process different on BLD? If so, what new processes are used beyond those needed to comprehend conventional print? And if we are talking about another type of reading, what implications do these differences have for today's literacies? To explore the changing nature of reading, I draw upon the unifying concept of transliteracy created by Sue Thomas and the Production and Research in Transliteracy group (PART)[8]
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“Biblioteca de livros digitais”:为在线阅读的儿童提供音译体验的特权空间
当你数字化一个不同的版本,甚至当你数字化地创建一本书时,这意味着对格式、编纂和标准的选择,这肯定会改变我们作为读者的体验。在分析葡萄牙项目“Biblioteca de Livros Digitais”[2]时,我质疑新技术的使用如何将美学创新转化为日常最敏感的阅读体验。我认为,如果我们想要有效地理解今天的在线阅读,就需要解决关于数字领域阅读理解的重要问题。在本文中,我将仔细研究在BLD上与电子书互动所需的技能和能力,同时探索以下三个问题的答案:在BLD上阅读过程是否不同?如果是这样,除了理解传统印刷所需的那些方法之外,还使用了哪些新方法?如果我们讨论的是另一种阅读方式,这些差异对今天的读写能力有什么影响?为了探索阅读本质的变化,我借鉴了苏·托马斯(Sue Thomas)和“transliteracy Production and Research in transliteracy”小组(PART)提出的统一概念。[8]
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