{"title":"The Evasive Guru and the Errant Wife","authors":"S. Raman","doi":"10.1093/OSO/9780198081685.003.0003","DOIUrl":null,"url":null,"abstract":"The chapter discusses a conflict within the Śaiva Siddhānta tradition in what is present-day Tamil Nadu. The conflict concerned was started in the 1860s by an attack of Arumuga Navalar, a Śaivite scholar, who represented a form of religious neo-traditionalism, on Ramalinga Swamigal, a modern Śaiva poet and self-styled siddha. The struggle revolved around the definition of the Śaivite canon. Navalar was upset by Ramalinga’s success with the songs he had composed, a collection of which was published in 1867 under the name Tiruvaruṭpā. Navalar, highly critical of extant practices, especially of those of lower-caste people, opposed the acceptance of Ramalinga and his songs as being on par with those of the earlier poet-saints. The author places this conflict in the context of changes of earlier polemical literary traditions regarding the attitude to the past. The author sees Navalar as pursuing a deliberate ‘Protestantization’ of Śaivism, laying down new lines of exclusion and inclusion.","PeriodicalId":277707,"journal":{"name":"Religious Interactions in Modern India","volume":"17 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-03-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Religious Interactions in Modern India","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/OSO/9780198081685.003.0003","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
The chapter discusses a conflict within the Śaiva Siddhānta tradition in what is present-day Tamil Nadu. The conflict concerned was started in the 1860s by an attack of Arumuga Navalar, a Śaivite scholar, who represented a form of religious neo-traditionalism, on Ramalinga Swamigal, a modern Śaiva poet and self-styled siddha. The struggle revolved around the definition of the Śaivite canon. Navalar was upset by Ramalinga’s success with the songs he had composed, a collection of which was published in 1867 under the name Tiruvaruṭpā. Navalar, highly critical of extant practices, especially of those of lower-caste people, opposed the acceptance of Ramalinga and his songs as being on par with those of the earlier poet-saints. The author places this conflict in the context of changes of earlier polemical literary traditions regarding the attitude to the past. The author sees Navalar as pursuing a deliberate ‘Protestantization’ of Śaivism, laying down new lines of exclusion and inclusion.