Carnival in the Curriculum

Steve Herne, Celia Burgess-Macey, M. Rogers
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引用次数: 3

Abstract

This article focuses on a carnival in the curriculum project designed to revitalise the arts in the experience of students in Higher Education preparing to become primary school teachers. It argues the relevance of a combined arts or trans-disciplinary artform in the remit of a visual arts education journal and explores carnival as a complex, inclusive, multifaceted and multidimensional cultural practice with deep historical and social roots. It locates carnival within theory and the debate about the arts in schools in the UK from the early 1980s. Drawing on the analysis of interviews with students and teachers in carnival project schools, issues and themes such as student involvement, creativity, artists in schools, and cross-curricular learning are explored, concluding that carnival in the curriculum provides an opportunity for agency within the regulated official curriculum.
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课程中的狂欢
这篇文章的重点是一个嘉年华课程项目,旨在振兴艺术在高等教育的学生准备成为小学教师的经验。它在视觉艺术教育期刊的范围内论证了综合艺术或跨学科艺术形式的相关性,并将嘉年华作为一种具有深厚历史和社会根源的复杂、包容、多方面和多维度的文化实践进行了探索。它将嘉年华定位于20世纪80年代初英国学校关于艺术的理论和辩论中。通过对嘉年华项目学校的学生和教师的访谈分析,探讨了学生参与、创造力、学校艺术家和跨学科学习等问题和主题,得出的结论是课程中的嘉年华为规范的官方课程提供了一个代理的机会。
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