HEARING DEGRADATION - A PERSONAL ACCOUNT

P. Newell
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Abstract

This paper is a report of the progressive hearing degradation as it affected the author’s perception whilst working as a designer of recording studios and loudspeaker systems. The many symptoms include presbycusis, tinnitus, and loudness recruitment, together with some strange perceptions of non-linear distortion. The implications are far-ranging because all forms of reproduced sound are ultimately assessed by people’s ears, even though it can be difficult to fully imagine the changes to perception until they occur. However, once experienced, it also becomes clear that the changes are idiosyncratic, with the combinations affecting no two people in exactly the same way. Furthermore, only once experienced does it become obvious that referring many reproduction standards to ‘normal’ hearing parameters may be short-changing a large proportion of the population, because what is ‘average’ may not be representative of any majority.
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听力退化——个人说法
这篇论文是一个渐进的听力退化的报告,因为它影响了作者的感知,而作为录音室和扬声器系统的设计师工作。许多症状包括老年性耳聋、耳鸣、响度增加,以及一些非线性失真的奇怪感觉。这项研究的影响是深远的,因为所有形式的再现声音最终都是由人的耳朵来评估的,尽管在它们发生之前很难完全想象到感知的变化。然而,一旦经历过,就会清楚地发现这些变化是特殊的,这些组合对两个人的影响方式并不完全相同。此外,只有经历过之后才会明白,将许多生殖标准引用为“正常”听力参数可能会欺骗很大一部分人,因为“平均”可能不能代表任何多数人。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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MULTI-DOMAIN ANALYSES OF ACOUSTIC ROOM CORRECTION SYSTEMS LOUDSPEAKER SIMULATION VS MEASUREMENT VALIDATING MATRIX ARRAY ELECTRO-ACOUSTIC MODELS THE ARUP EXPERIENCELAB A CRITICAL ANALYSIS OF SOUND LEVEL MONITORING METHODS AT LIVE EVENTS LISTENER PREFERENCE OF REVERBERATION IN THE POST-PRODUCTION OF LIVE MUSIC RECORDINGS
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