{"title":"Deconstruction and Timbre","authors":"Naomi Waltham-Smith","doi":"10.1093/OXFORDHB/9780190637224.013.3","DOIUrl":null,"url":null,"abstract":"Why is philosophy captivated by sound and especially by its material existence as timbre? While Western metaphysics has long been fascinated by role of the voice in the construction of subjectivity, consciousness, and the human, deconstruction has turned with surprising frequency to the idea of sound-as-timbre as a way to think beyond paradigms of identity, self-presence, and the present. The article asks what motivates this preoccupation with timbre and what is at stake philosophically and politically in this move, focusing on the bell in Derrida’s Glas as a figure for timbre and for philosophy’s relation to its own outside. Derrida’s argument is contrasted with Jean-Luc Nancy’s notions of timbre and resonance and Agamben’s critique of grammatology.","PeriodicalId":146493,"journal":{"name":"The Oxford Handbook of Timbre","volume":"14 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-05-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Oxford Handbook of Timbre","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/OXFORDHB/9780190637224.013.3","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Why is philosophy captivated by sound and especially by its material existence as timbre? While Western metaphysics has long been fascinated by role of the voice in the construction of subjectivity, consciousness, and the human, deconstruction has turned with surprising frequency to the idea of sound-as-timbre as a way to think beyond paradigms of identity, self-presence, and the present. The article asks what motivates this preoccupation with timbre and what is at stake philosophically and politically in this move, focusing on the bell in Derrida’s Glas as a figure for timbre and for philosophy’s relation to its own outside. Derrida’s argument is contrasted with Jean-Luc Nancy’s notions of timbre and resonance and Agamben’s critique of grammatology.
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