Oblivion:

Magnus, Bane, Magnus Bane
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Abstract

​Oblivion ​tells a story of a plain-looking individual named Miech at a gritty, damp subway station en route to catch a movie. As he waits for a train, he faces a troubling memory of a past relationship and is confronted by a projection of his inner emotions that takes the form of a creature. In a desperate attempt to escape from this manifestation, he shifts his attention to his external surroundings only to find that his fellow commuters also have similar creatures. In ​Oblivion, ​I address a very human experience through the spectacle of an animated lens. This film ​is an intimate exploration of Miech’s personal journey. Through his observation, Miech realizes that “everybody has their own demons”. It illustrates the internal psyche through a complex metaphor with elements of beauty, tragedy, and an ironic sense of isolation. It is ironic, because this feeling of isolation is shared among the commuters. Because of its artistic and malleable qualities, I attempted to use animation as a medium to convey these ideas. I wanted to illustrate and contribute to the presentation that everyone has their own demons. This paper will examine the process of crafting an aesthetic, strategic use of visual devices and animation techniques with this concept as the framework of this project, followed by an analysis on its final outcome.
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遗忘:
《湮灭》讲述了一个长相普通的名叫米奇的人在一个潮湿潮湿的地铁站去看电影的故事。当他在等火车的时候,他面对着过去一段关系的令人不安的记忆,并面对着他内心情感的投射,这种情感是以一种生物的形式出现的。为了逃避这种表现,他绝望地将注意力转移到外部环境,却发现他的通勤同伴也有类似的生物。在《湮灭》中,我通过动画镜头呈现了一种非常人性化的体验。这部电影是对米奇个人旅程的一次深入探索。通过他的观察,米奇意识到“每个人都有自己的恶魔”。它通过一个复杂的隐喻,以美、悲剧和讽刺的孤立感为元素,说明了内在的精神。这很讽刺,因为这种孤立感在通勤者中是共同的。由于动画的艺术性和延展性,我尝试用动画作为媒介来传达这些想法。我想说明每个人都有自己的恶魔。本文将以这个概念作为这个项目的框架,研究制作美学、战略使用视觉设备和动画技术的过程,然后对其最终结果进行分析。
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Conclusion Infinite Jest: Understanding David Foster Wallace PREFACE TO THE REVISED AND EXPANDED EDITION INDEX
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