Interactive Narrative Generation of Aesthetics of Violence in Films

T. Ma, Hongwei Liu, Hongji Yang
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Abstract

The aesthetics of violence creates a visual-auditory spectacle in the films and a significant cultural ethos in the postmodern context. The combination of violence and aesthetics in the films creates a sense of paradox, subverting the audience's stereotypes about violence and evoking a new aesthetic experience physically and psychologically. To achieve such complicated aesthetic effects to a new level in the digital era, it is innovative to synthesise the literary theory, aesthetic criticism, cinematic strategies, procedural modelling and creative computation to produce more attractive and experimental stories in the film industry. Computer science facilitates the stylisation of violent films in a narrative, technical and artistic way. The paper will take Freudian psychoanalysis and Kantian aestheticism as the philosophical foundation, present an index system of evaluation and a model to compute the weight of violence and artistic beauty and further measure the effect of aesthetics conveyed by the violence. The application of the model will promote the creativity in the interactive narrative about the aesthetics of violence in films.
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电影暴力美学的互动叙事生成
暴力美学在电影中创造了一种视觉-听觉奇观,在后现代语境中创造了一种重要的文化思潮。影片中暴力与美学的结合创造了一种悖论感,颠覆了观众对暴力的刻板印象,在身体和心理上唤起了一种新的审美体验。为了在数字时代将这种复杂的美学效果提升到一个新的高度,将文学理论、美学批评、电影策略、程序建模和创造性计算综合起来,在电影工业中制作出更具吸引力和实验性的故事,是一种创新。计算机科学以叙事、技术和艺术的方式促进暴力电影的风格化。本文将以弗洛伊德的精神分析和康德的唯美主义为哲学基础,提出一种评价的指标体系和模型来计算暴力与艺术美的权重,进而衡量暴力所传达的美学效果。该模型的应用将促进电影暴力美学互动叙事的创造性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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